The seven best books of 2023 reviewed by our聽experts
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We have covered a lot of new releases this year but these seven really impressed our experts. There鈥檚 a feminist retelling of a classic, a twist on the murder mystery from the greatest voice in horror and a giggle-inducing ride through the Middle Ages 鈥 not mention one of the most hotly anticipated autobiographies of all time.
1. The Fraud by Zadie Smith
Zadie Smith鈥檚 latest novel, The Fraud, is her first foray into the world of historical fiction. The result is a stunning, well-studied examination of Victorian colonial England and some of its inhabitants.
As with other works by Smith, the novel takes a patchwork approach, with several interwoven plots taking place over a period of about 50 years. Centrally placed in the plot is the real-life and highly bizarre trial of a man claiming to be a Sir Roger Tichborne, thought to have been killed at sea and heir to a substantial fortune.
The absurd and very long trial, which had people from all communities in 1870s England hooked, is seen in the novel through the eyes of Eliza Touchet, cousin and companion of William Ainsworth, a novelist well known in Victorian England but relatively forgotten today.
By Leighan M. Renaud, Lecturer in Caribbean Literatures and Cultures
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2. Holly by Stephen King
At the age of 76, with nearly 70 novels and short story collections behind him, American author Stephen King shows few signs of slowing down. His latest novel Holly, hefty in scale and elaborate in plotting, is the work of an energetic writer, not one who is getting tired.
The book is a compelling composite of the crime and horror genres, as addictive as the cigarettes which the title character finds herself smoking, as she investigates a spate of abductions in a midwest town.
One of the incidental pleasures offered by Holly is its allusion to books from earlier in King鈥檚 long literary career. The terrifying incarceration experienced by the novel鈥檚 victims, for example, recalls that of the central figure in Misery (1987). A reference to blood poured over a high school prom queen summons up thoughts of Carrie (1974), King鈥檚 first novel.
That said, this new book shows King experimenting and innovating, rather than simply being content to reactivate the tropes of his previous fiction.
By Andrew Dix, Senior Lecturer in American Literature and Film
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3.Julia by Sandra Newman
Given the relatively cardboard cut-out nature of the original character in Nineteen Eighty-Four, the foregrounding of [Julia鈥檚] sexual experiences and sexuality as well as her early life gives her a vitality in this retelling lacking in Orwell鈥檚 portrait.
This is not so surprising. Orwell鈥檚 female characters (even Dorothy Hare, the eponymous heroine of A Clergyman鈥檚 Daughter, 1935) tend to be slight figures. By contrast, Newman鈥檚 Julia Worthing is anchored and adventurous. She鈥檚 willing to take risks and to suffer for her actions in ways that might seem unlikely if not impossible with Orwell鈥檚 Julia.
By Simon Potter, Professor of Modern History and Peter Marks, Emeritus Professor in English and Writing
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4. Victory City by Salman Rushdie
Victory City is an epic chronicle of the rise and fall of Vijayanagar (the capital city of the historic southern Indian Vijayanagara empire), which acquires the name 鈥淏isnaga鈥 through ill-fated attempts at pronunciation by a Portuguese traveller 鈥 Throughout the novel, Rushdie explores the process of writing history 鈥 how it is recorded and how significance is apportioned. As Pampa Kampana states: 鈥淗istory is the consequence not only of people鈥檚 actions but also their forgetfulness.鈥
Rushdie is interested in how history is argued over and rewritten in contemporary moments. In particular, he takes aim at the populist exploitation of historical narratives for political gain. We hear that 鈥渇ictions could be as powerful as histories鈥 and that 鈥 paradoxically 鈥 鈥渢hey were no more than make believe but they created truth鈥.
By Florian Stadtler, Lecturer in Literature and Migration
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5. The Woman in Me by Britney Spears
Britney Spears鈥 new memoir, The Woman in Me, illustrates once again the potential lifelong damage that can be caused by being a child star. Like many before her, including Judy Garland and Michael Jackson, Spears was ushered into the dangerous terrain of childhood fame by the adults who were supposed to be protecting her, and was utterly unprepared to deal with the fallout.
Spears鈥 father鈥檚 conservatorship, controlling every aspect of her personal and professional life, was finally rescinded in 2021. She is now able to share the details of her extraordinary years in the limelight and beyond.
By Jane O鈥機onnor, Reader in Childhood Studies
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6. My Name is Barbra by Barbra Streisand
As a diva, Streisand has consistently defied instructions not to do something by doubling up her efforts. For example, at the start of her career when she was auditioning for record labels, one of the executives said she had a nice voice but was 鈥渢oo ethnic鈥.
Her response was to loudly embrace her Jewish identity. She played explicitly Jewish characters in her first two and only stage roles, in the musicals I Can Get It for You Wholesale (1962) and Funny Girl (1964). She refused to get a nose job and drew attention to her nose a lot in her work. And she co-wrote, produced, directed and appeared in the hit film Yentl (1983), about a Jewish woman who pretends to be a man in order to get an education.
Success has often come to Streisand by doing things people have told her not to do: a twist on the negative diva trope.
By Dominic Broomfield-McHugh, Professor of Musicology
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7. Weird Medieval Guys by Olivia Swarthout
Packed full of satire, stunning imagery and interactive maps and quizzes, Weird Medieval Guys is a deep-dive into some of the most extraordinary 鈥 and quirky 鈥 aspects of medieval daily life. This little book, which should appeal to older children as well as adults, is split into two parts: The Struggle: Surviving Life, Love, and Death, and The Bestiary.
Weird Medieval Guys is a riot, packed full of brilliant medieval facts. Its author, Olivia Swarthout, has been creative in using quizzes and puzzles to engage readers who might like history but don鈥檛 get on with dense scholarly texts in the wonderful, wacky world that is the Middle Ages.
What is particularly evident to me as an expert in medieval literature, is the number of hours she has spent consulting digitised manuscripts from the first century onwards, as well as old and recent scholarship on medieval manuscript culture and life in general.
By Madeleine S Killacky, PhD Candidate in Medieval Literature
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